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Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..

 

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Pierre Renoir Environs de Cagnes oil painting

Painting ID::  3503

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Pierre Renoir
Environs de Cagnes

   
   
     

 

 

Pierre Renoir Spring Bouquet oil painting

Painting ID::  3504

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Pierre Renoir
Spring Bouquet

   
   
     

 

 

Pierre Renoir Girl and Golden Hat oil painting

Painting ID::  3505

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Pierre Renoir
Girl and Golden Hat

   
   
     

 

 

Pierre Renoir Two Girls oil painting

Painting ID::  3506

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Pierre Renoir
Two Girls

   
   
     

 

 

Pierre Renoir Young Girl with Flowers oil painting

Painting ID::  3507

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Pierre Renoir
Young Girl with Flowers

   
   
     

 

 

Pierre Renoir Boating on the Seine oil painting

Painting ID::  3508

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Pierre Renoir
Boating on the Seine
The National Gallery, London
   
   
     

 

 

Pierre Renoir Renoir's House at Essoyes oil painting

Painting ID::  3510

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Pierre Renoir
Renoir's House at Essoyes

   
   
     

 

 

Pierre Renoir The Test Garden in Algiers oil painting

Painting ID::  3511

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Pierre Renoir
The Test Garden in Algiers
1882 Private Collection
   
   
     

 

 

Pierre Renoir The Road To Essoyes oil painting

Painting ID::  3512

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Pierre Renoir
The Road To Essoyes

   
   
     

 

 

Pierre Renoir Grand Canal, Venice oil painting

Painting ID::  3513

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Pierre Renoir
Grand Canal, Venice

   
   
     

 

 

Pierre Renoir Tulipes oil painting

Painting ID::  3514

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Pierre Renoir
Tulipes

   
   
     

 

 

Pierre Renoir Umbrellas oil painting

Painting ID::  3515

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Pierre Renoir
Umbrellas

   
   
     

 

 

Pierre Renoir Girls Putting Flowers in their Hats oil painting

Painting ID::  3516

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Pierre Renoir
Girls Putting Flowers in their Hats
The Metropolitan Museum of Art, New York
   
   
     

 

 

Pierre Renoir Sacre Coeur oil painting

Painting ID::  3517

X 
 

Pierre Renoir
Sacre Coeur

   
   
     

 

 

Pierre Renoir Moulin Huet Bay, Guernsey oil painting

Painting ID::  3518

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Pierre Renoir
Moulin Huet Bay, Guernsey

   
   
     

 

 

Pierre Renoir Mother Anthony's Inn at Marlotte oil painting

Painting ID::  3519

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Pierre Renoir
Mother Anthony's Inn at Marlotte
1866 Museu de Arte de Sao Paolo
   
   
     

 

 

Pierre Renoir Young Girl Seated oil painting

Painting ID::  3520

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Pierre Renoir
Young Girl Seated
1909 Musee d'Orsay, Paris
   
   
     

 

 

Pierre Renoir Nude in an Armchair oil painting

Painting ID::  3521

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Pierre Renoir
Nude in an Armchair

   
   
     

 

 

Pierre Renoir Rose et Bleue oil painting

Painting ID::  3522

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Pierre Renoir
Rose et Bleue

   
   
     

 

 

Pierre Renoir Jugglers at the Cirque Fernando oil painting

Painting ID::  3523

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Pierre Renoir
Jugglers at the Cirque Fernando
1879 The Art Institute of Chicago
   
   
     

 

       Prev    1  2  3  4  5  6  7  8  9  10     Next

 

Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..